《正午》是戰後前南新浪潮電影運動(又稱「黑浪潮」「BLACK WAVE」)中的代表作之一,它的導演Djordjevic曾在1966年憑借《夜》獲噶納最佳影片提名,67年的《清晨》又在威尼斯獲提名,併入選南斯拉夫影史10佳。68年這部《正午》是他的三部曲的完結篇,儘管故事講述的是關於愛情,但攝影和表現手法都富有創意,甚至可以說前衛…《正午》是戰後前南新浪潮電影運動(又稱「黑浪潮」「BLACK WAVE」)中的代表作之一,它的導演Djordjevic曾在1966年憑借《夜》獲噶納最佳影片提名,67年的《清晨》又在威尼斯獲提名,併入選南斯拉夫影史10佳。68年這部《正午》是他的三部曲的完結篇,儘管故事講述的是關於愛情,但攝影和表現手法都富有創意,甚至可以說前衛,片中有不少超現實的幻想場景,帶有表現主義的造型和畫面構圖。 The lives of many people in one Serbian town are changed after Tito's breakup with Stalin. This is a story about love between young Yugoslav girl and Russian guy who works in Soviet embassy in Belgrade. They get married but on their first wedding night a conflict between communist parties of their countries erupts. That means a young couple must depart with a very little hope that they will meet again. The story of love between a young Russian, employee of Soviet embassy, and a Yugoslav girl, which started in 1948. at a reception party in House of Soviet Culture in Belgrade. They get married, but during their wedding night, radio reports about the conflict between the Communist Parties of their two countries. This news meant parting, with small chance to meet again.詳情