The Durati family lead an idyllic, secluded life in the middle of the countryside, surrounded by olive groves. Their daily routines are not particularly spectacular, although the eldest daughter is soon to be married and each of the family members is preparing for the wedding in their own way. The f…The Durati family lead an idyllic, secluded life in the middle of the countryside, surrounded by olive groves. Their daily routines are not particularly spectacular, although the eldest daughter is soon to be married and each of the family members is preparing for the wedding in their own way. The film makes no secret of the fact that father Enzo, mother Alice, daughter Dora and son Matteo will not survive the coming day. The knowledge of their imminent demise changes how the viewer sees their everyday actions, their plans both big and small. The fragility of life shines through and it almost feels like everything is slowing down. The smallest events are shown from different perspectives, lending them greater significance. The editing, music and tracking shots make the inescapable end appear like a trancelike countdown. Death and manslaughter are common film themes. By concentrating so radically on the 「before」, Sara Summa tells the story of a brutal crime in an entirely unique way. Gli ultimi a vederli vivere is much more a tender tale of life than one of death. We』re the last to see them living.杜拉蒂一家過著田園詩般的、與世隔絕的生活,生活在鄉村中部,周圍是橄欖林。儘管大女兒很快就要結婚了,而且每個家庭成員都在以自己的方式為婚禮做準備,但他們的日常生活並不特別精彩。 這部電影毫不掩飾的事實是恩佐神父、愛麗絲母親、女兒多拉和兒子馬特奧將無法在未來的一天存活下來。他們即將滅亡的知識改變了觀眾如何看待他們的日常行為,他們的計劃是大是小。脆弱的生命閃耀著光芒,幾乎感覺到一切都在減速。最小的事件從不同的角度顯示出來,賦予它們更大的意義。編輯、音樂和跟蹤鏡頭使不可避免的結尾看起來像一個恍惚的倒計時。死亡和過失殺人是常見的電影主題。SaraSumma把精力集中在「以前」上,以一種完全獨特的方式講述了一個殘酷犯罪的故事。《Gli ultimi a vederli vivere》中的Gli ultimi與其說是死亡,倒不如說是一部生命的溫柔故事。我們是最後一個看到他們活著的人。詳情